Laura Wade’s play is funny, thought-provoking and exhilarating
The Watsons starts as a fairly conventional adaptation of a Jane Austen story taking place on a lovely white set by Ben Stones.
Emma needs a husband and the question is, which of the three contenders will she end up marrying? Will it be for love or money? But this is an unfinished novel so we reach a point where the plot runs out and, suddenly, the author of the play steps in to prevent it going in an unintended direction. Played by Louise Ford, she’s a wonderful combination of determination and exasperation. From here on, it’s mayhem all the way.
At first it’s a conversation between the playwright Laura and the lead character Emma. Grace Moloney makes her totally believable as a typically intelligent witty Jane Austen heroine who takes the opportunity to figuratively (or, come to think of it, literally) rip off her stays.
Soon all the other characters are involved. Laura has a clear idea of how the story should develop but these are not her characters: they’re Jane Austen’s. They have their own ideas and Laura starts to lose the plot.
Thus we enter into an exploration of the creative process and, if that sounds a little dry, let me assure you it’s more like entering a flume ride. Many authors have talked about how characters take on a life of their own and begin to dictate the plot. Here it happens in front of our eyes. And of course the author, even though she’s called Laura, is a character herself created by the actual playwright Laura Wade.
The play becomes mind blowing as Ms Wade digs through the layers of implications and branches out in many directions to explore artistic creation and women’s experience.
She raises questions of free will and predestination. The characters are the creations of a God-like author but we living human beings also ask how much we are in charge of our destinies and how much our character seals our fate.
It’s partly an argument about whether you should conform or be true to yourself but when the characters put taking control to a vote, it also raises a cheeky referendum-related question of whether people should have a say if they don’t have all the information.
When the characters take charge, anarchy reigns. People behave out-of-character or perhaps as they would without the restraints of society’s rules, in this case a society created by the author. You see what I mean when I say this work is vertiginous.
A head-spinning triumph for Laura Wade
The Watsons is a head-spinning triumph for Laura Wade whose reputation is already high after her brilliant Home, I’m Darling. Directed by her husband Samuel West with a lightness of touch, the production makes the most of every opportunity for humour. There is a wonderful moment just after the characters have just discovered that they are in a play. When Laura steps through the fourth wall, as one they gasp and sway backwards.
You also realise that the significance of the white set is probably that the author hasn’t filled in the details.
There is the odd moment when the examination of the author’s own situation feels a little indulgent but The Watsons delivers a funny, thought-provoking, exhilarating evening.
Paul saw a preview performance of The Watsons. On 18 February 2020, Paul changed his rating of The Watsons to 5 stars