the end of history at Royal Court – review

Lesley Sharp and David Morrissey provide laughter and emotion in Jack Thorne’s family drama


5 out of 5 stars (5 / 5)

Production photo f the end of history at the Royal Court Theatre showing David Morrissey and Lesley Sharp
David Morrissey & Lesley Sharp in the end of history. Photo: Tristram Kenyon

It’s a world away from Jack Thorne and John  Tiffany‘s last collaboration- Harry Potter And The Curse Child– but the end of history is another moving drama about parent child relationships.

The title may refer to a book by Francis Fukuyama which around 1990 declared that, with the fall of communism in eastern Europe, liberal democracy had triumphed and its flag would fly forever and a day.

It’s 1997 and we meet Sal and David, two lifetime left wing socialists who perhaps can longer expect radical change. A clue is they’re not happy that Blair, leader of their party, has become prime minister. It may even be significant that they came from hard Manchester and now live in soft Berkshire.

Their three kids are in their late teens and early twenties. The oldest Carl is bringing his new girlfriend Harriet to dinner. She is the daughter of a rich father who owns hotels and service stations. Sal is as fascinated by the privileged as she hates the liberals. She talks too much and in a very frank way. In fact Lesley Sharp’s unfiltered talking when she’s nervous is hilarious. ‘No talent when it comes to cooking, she says of herself, but when it comes to pissing off my children – immense talent – Olympian talent.’

Her children are indeed embarrassed by her but they expect to be. But it’s the red parents who seem red faced because their children are not turning out to be radical socialists. A bust up ensues.

We move on ten years. The parents, true to their socialist ideals, take a decision that makes their children feel they have been judged to have betrayed the cause. Leading to another bust up.

All the children are much more their own people now. In fact, one of the joys of this play is how the children mature but are recognisably the same characters. Kate O’Flynn is the hard-edged Polly with a surly bottom lip like a snow plough. Always the best at winning arguments, she has become a cynical corporate lawyer. The less confident Carl, played by Sam Swainsbury, is married to Harriet (Zoe Ball), but not that happily. He has joined the family business. The highly strung youngest Tom, played by Laurie Davidson, remains a misfit with an inferiority complex and is yet to find his way. None of the children have the certainties that characterise their parents.

Production shot from the end of history at the Royal Court Theatre in London
the end of history Photo: Tristram Kenyon

By the end of act two, having experienced a wonderfully funny performance from Lesley Sharp as the mother, I was wondering why an actor of the quality of David Morrissey had been employed to provide a fairly standard dour northern dad. Then came the third act, ten more years on, and he delivered the most moving emotional monologue that explained so much of what formed the parents’ characters and relationship. ‘I thought she was astonishing, she thought I’d do,’ he says.

And the children at something like the halfway stage in their lives see their parents with a new perspective. Not the familiar ‘we just wanted you to be happy’ but something more appropriate to their intellectual rigour.

I don’t want to make this sound too political or philosophical because it is ultimately the story of a family, a believable family. They are loving but they’re not tactile and they’re not sentimental- and neither is Jack Thorne’s script. His dialogue conveys the relaxed banter and the rows of people who love and know one another. The children’s attachment to their parents and its effect on their lives is tangible.

John Tiffany directs with precision. The beautiful design by Grace Smart presents us with a simple family kitchen but with holes in the walls, perhaps suggesting the uncertainties of their lives.

A word of warning. In the middle of one argument, Sal says, ‘I’m going to the toilet. It’s an a political act.’ This is a particularly cruel thing to say in front of an audience who have to sit with their legs crossed through one hour fifty minutes without an interval.

the end of history can be seen at The Royal Court Theatre until 10 August 2019. Click here for tickets.

Watch the YouTube review of end of history on the One Minute Theatre Reviews channel

A Christmas Carol at The Old Vic – review

Stephen Tompkinson’s Scrooge is pitch perfect

5 out of 5 stars (5 / 5)

Click here to watch the review on YouTube

Production shot of Stephen Tompkinson as Scrooge and Michael Rouse as marley in A Christmas Carol at The Old Vic London
Stephen Tompkinson as Scrooge and Michael rouse as marley in A Christmas Carol at The Old Vic. Photo: Manuel Harlan

As you’d expect from writer Jack Thorne, who wrote Harry Potter And The Cursed Child and director Matthew Warchus who directed Matilda The Musical), their adaptation of Charles Dickens’ A Christmas Carol is both magical and totally theatrical. In fact, it could only be performed in a theatre.

From the moment you walk in to the Old Vic auditorium, you are immersed in the atmospheric production, designed by Rob Howell. Members of the cast wander around offering clementines and mince pies (courtesy of Waitrose- that’s what I call sponsorship). The ceiling is filled with glowing lanterns that shine more and less brightly in synch with the narrative and that’s only one of many bewitching lighting effects designed by Hugh Vanstone.

The stage has been placed in the centre with seating all around and on stage. So characters appear from all directions and even in the circle.

Simon Baker‘s sound is all around too but particularly noticeable when it comes in a sinister crescendo from under the stage in supernatural moments, so loud that you vibrate in your seat.

A perfect Christmas entertainment

It’s a terrific idea to intersperse the performance with Christmas carols, accompanied by bell ringing, because they are about redemption and hope, just as the story is. This production certainly is, in the way Jack Thorne tells it and Stephen Tompkinson acts it.

Stephen Tompkinson in A Christmas Carol at The Old Vic London
Stephen Tompkinson in A Christmas Carol at The Old Vic. Photo: Manuel Harlan

The story may be entirely familiar- the book has been around 175 years and there have been countless adaptations including one by The Muppets- but this production makes it feel as fresh as Waitrose mince pie.

Stephen Tompkinson‘s subtle Scrooge, unpleasant and misanthropic as he may be, retains a humanity that gives us hope that he can change. He has taken a wrong path and Jack Thorne’s script explores the reasons for this, primarily trying to avoid becoming like his cold, debt-ridden father. The father and Marley are both played by an excellent Michael Rouse.

We also see that Scrooge was capable of love, for his sister and for his first employer’s daughter Belle (a delightful performance from Francis MacNamee). We also see through the eyes of people like his nephew Fred (Eugene McCoy) and his employee Bob Cratchit (Peter Caulfield) who believe he has a good heart despite his treatment of them.

A Christmas Carol at The Old Vic
A Christmas Carol at The Old Vic. Photo: Manuel Harlan

The ghosts are terrific. First Marley in his chains, then Past, Present and Future (all played by women) who are both spooky and funny as they show Scrooge the effect of his life on others. The mortality of Tiny Tim is key to his conversion. The part is played by four different actors during the run. I saw Lenny Rush who was very moving in the role.

When Scrooge finally realises that he has wasted his life and ruined that of others by becoming obsessed with making money and by ignoring the effect of his business on others, the liberation is joyous. You can feel the weight lifting from Stephen Tompkinson’s shoulders as he sees the possibilities in helping others.

Food pours onto the stage, there is dancing, more singing and bell ringing, even snow. It is glorious and I, for one, didn’t want it to end. The Old Vic’s A Christmas Carol is perfect Christmas entertainment.

A Christmas Carol starring Stephen Tompkinson is performing at The Old Vic until 19 January 2019

Watch below the review of A Christmas Carol on the YouTube channel One Minute Theatre Reviews

Harry Potter And The Cursed Child Parts One & Two

Click here for review on YouTube channel One Minute Theatre Reviews

4 out of 5 stars (4 / 5)
Photo of members of the cast of Harry Potter And The Cursed Child stage play by Jack Thorne based on idea by JK Rowling Jack Thorne and John Tiffany
Harry Potter And The Cursed Child. Photo: Manuel Harlan

A Worthy Addition to the Harry Potter saga

I’ve read the Harry Potter books and seen the films. If you haven’t, you might be less intrigued than I was by this return to Hogwarts because the past looms heavy in this new adventure.

JK Rowling tells a good children’s story that adults can also enjoy, and she does it again with her stage play Harry Potter And The Cursed Child, currently at the Palace Theatre London.

Production photo of the stage play Harry Potter And The Cursed Child by JK Rowling, Jack Thorne and John Tiffany
Harry Potter And The Cursed Child. Photo: Manuel Harlan

Her chronicle of good versus evil in the world of witchcraft continues with the sons of Harry Potter and his former enemy Draco Malfoy. Both boys suffer from being the children of well-known parents. That’s why they become friends and go an adventure together, an adventure which is as much about the excitement of problem solving as fighting evil.

Good story by JK Rowling- great play by Jack Thorne

The Cursed Child is blessed with a script by Jack Thorne which is full of humour and emotional depth, especially in the difficult relationship between the adult Harry and his adolescent son, both troubled by the past in their different ways, both feeling inadequate. It’s also fascinating to see the way Draco Malfoy is changed and challenged by becoming a parent.

The story is about the effect of the past on the present. Literally and chillingly,  we see that changing the past can change the present. More interestingly,  what the older characters have or haven’t done previously affects how they are now. It is this exploration that makes what otherwise would be a good children’s show into something of real interest to an adult audience.

Production photo of members of the cast of Harry Potter And The Cursed Child by JK Rowling, Jack Thorne and John Tiffany
Harry Potter And The Cursed Child. Photo: Manuel Harlan

There are many very good characters well acted. When I saw the plays, Rayke Ayola showed a good range of emotion as Hermione Granger. I especially liked the Malfoys played with relish by James Howard and young Samuel Blenkin, who was the star of the show.

John Tiffany’s production has some excellent theatrical effects: the appearance of the Dementors is spine tingling. The illusions by Jamie Harrison that provide some real ‘wow’ moments such as the split second in which actors seem to disappear into a telephone.

The difficulty for me is that while action adventures told on a stage work well for children, for adults they can seem a little melodramatic. Despite or perhaps because of an existential threat in the story, this is no exception.

That said, this is a magical production and a worthy addition to the Harry Potter saga.

Harry Potter And The Cursed Child can be seen at the Palace Theatre London

Here’s my review from the YouTube channel One Minute Theatre Reviews