An Acting Tour-de-Force By Kenneth Cranham
When The Father opens, it appears to be straightforward comedy about Alzheimers. In other words, easy laughs at the way the old man can’t remember things.
By scene two, when one woman goes into the kitchen and a new actor comes back out, it’s clear we are in a very different play, a drama in which we are inside the father’s head and are as confused by what’s going on as he is. By the end, I was as emotionally wrung out as him.
My mother had Alzheimers, which may have made me recognise the grief more, but experiencing the man’s desperate retreat into second childhood at the end had me in tears. It was an acting tour-de-force by Kenneth Cranham.
The Father, directed by James McDonald, is a French play written by Florian Zeller, who is clearly a huge talent, and translated by Christopher Hampton, whose credits include the hit translation of Art. Claire Skinner provided excellent support.