Instructions For Correct Assembly, a new play Thomas Eccleshare, directed by Hamish Pirie, at Royal Court Theatre, London
If there were instructions for the correct assembly of a stage play, how would they read? First, get a good theme. In Thomas Eccleshare‘s Instructions For Correct Assembly, we have at least two: dealing with grief;and when we create something how much responsibility and control do we have.
Then you need a plot. Again we have two. We start with a married couple, who enjoy DIY, constructing a human robot. It becomes apparent that they are trying to create an improved version of their young adult son who died. The second story- of what happened to their son- is told in parallel.
The two stories don’t always fit easily together. The sci-fi story leads to some hilarious moments as the robot tries to please but reveals his essential amorality. There’s a scene at dinner with friends where his inability to filter leads to sexual remarks so rude I can’t repeat them here. On the same occasion, he states his ambition to sell junk food outside secondary schools before responding to the shocked reaction and eventually muting it to organic healthy food. The other story is a poignant sometimes brutal portrayal of what it’s like when your child is an addict.
Then you need good characters and you need to assemble a cast of good actors to play them. Jane Horrocks as Max and Mark Bonnar as Harry are excellent as the fragile but positive parents. They make a believable loving couple. Michele Austin and Jason Barnett are exactly right as their friends- the Joneses, as it were, with whose child Harry and Max can only wish theirs could keep up with.
Brian Vernel is brilliant both as the son and, especially, as his fast talking robot replacement. Alike but subtly different, both try to impress and both lie. Neither ‘son’ turns out how the parents plan- and this is the glue that holds the play together.
A good production also needs a good designer. Cai Dyfan’s superb set starting as a tight aperture through which we view the action gradually opens up to show that the world cannot be controlled.
As with many assembly packs, there is one piece missing. A heart. Perhaps this is deliberate on the part of the author but, funny and interesting as it was, I didn’t find the play emotionally involving.
Instructions For Correct Assembly performs at the Royal Court‘s Jerwood Theatre Downstairs until 19 May.
See below the review on the YouTube channel One Minute Theatre Reviews