I would never have thought day-to-day politics could be so tense. This House, which I saw at Chichester Festival Theatre’s Minerva is set in the 1970s when Labour was running minority governments and ends at the moment the Tories returned to power. But it’s not about Wilson, Callaghan or Thatcher. The play is set in the Whips’ Offices, the people who organise their party members’ voting.
These are dramatic times as Labour struggles to maintain its majority and govern, a situation not dissimilar to Theresa May’s government. The tension mounts when ‘pairing’ is suspended. This is the agreement whereby members absent through government business or illness have their missing vote cancelled by someone from the opposition not voting. To go behind the scenes and see that our democracy can only work by co-operation and compromise is an eye-opener.
Many people- some of the Brexit voters and Trump supporters, for example- seem to be rebelling against the perceived cosiness of the establishment. James Graham, author of This House, shows that there is a purpose to this comity. We have only to look across the Atlantic to see how the extreme differences between Republicans and Democrats have brought government to a halt after decades of working together.
Politicians Are People
But more than the drama and the lesson in democracy, This House reveals the real people behind the parliamentary constituencies. Plays need characters and This House is packed with flawed human beings with feelings. They are sometimes bullies, sometimes desperate and, most movingly, they can be compassionate. We see that in many cases these are people who care passionately but still respect their opponents and act honourably.
Politicians often try to show their human side in PR exercises- a pint down the pub or an appearance on Have I Got News For You– but This House does a far better job at showing they are as funny, sad, triumphant and tragic as the rest of us.
This House is touring to West Yorkshire Playhouse, Leeds (23 February – 10 March 2018), Cambridge Arts Theatre (12 – 17 March 2018), Theatre Royal Bath (19 – 24 March 2018), Edinburgh Festival Theatre (27 – 31 March 2018), Nottingham Theatre Royal (10 – 14 April 2018), Birmingham Repertory Theatre (16 – 21 April 2018), The Lowry, Salford (24 – 28 April 2018), Theatre Royal, Plymouth (1 – 5 May 2018), Norwich Theatre Royal (7 – 12 May 2018),
Malvern Theatres (14 – 19 May 2018), Yvonne Arnaud Theatre, Guildford (21 – 26 May 2018), Lyceum Theatre, Sheffield (29 May – 2 June 2018).
Here’s my review on YouTube